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Hover over a participant and click More for these options:.

(Optional) Click the drop-down menu located at the top-left corner and click Pop Out to separate the participants list from the meeting window.

Click Participants in the host controls to display the participants list.

Give a participant the ability to record locally.

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Place participants in waiting room or admit/remove participants from the waiting room (waiting room can only be enabled by the host).

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With meetings, hosts and co-hosts can control the following features:

Muted participants (sorted alphabetically).

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Names in the participants list appear in the following order: *Limited controls are available when joining by web. These features include giving a participant the ability to record locally, assigning a co-host, putting a participant on-hold and using the waiting room.

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Some options have additional prerequisites and must be enabled on the web portal or require a specific version of Zoom for full functionality. Join by Zoom desktop client, mobile app, or web client*.Host permissions in the meeting, or co-host permission ( set by the host).Prerequisites for managing participants in a meeting For a full comparison of these options, see our meeting and webinar comparison. If you want to limit who can share their screen, video, and audio, we recommend using the webinar platform. By default, any participant in a meeting can share their video, screen, and audio. Comments are moderated, and will not appear until approved.As the host in a meeting, you can manage the participants. Susannah Fullerton: HAPPY BIRTHDAY вЂ“ W.H. Share your thoughts on this poemВ by leaving a comment.

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You can listen to John Hannah in a clip from the movie read the poem: The poem featured in the film Four Weddings and a Funeral and as a result it shot to the bestseller lists (more than 20 years after AudenвЂ™s death). The catalogue of what should be done with these romantic symbols, ends with a direct and simple line: вЂњFor nothing now can come to any good.вЂќ The word вЂdismantleвЂ™ is used and there is a sense that the speakerвЂ™s life has been totally dismantled too. In the third stanza it is clear that the man who has died was everything to the speaker вЂ“ probably a lover вЂ“ while the final stanza uses romantic tropes associated with poetry вЂ“ moon, stars, oceans, etc, and rejects them all as unhelpful. He wants the world to mourn with him, and personal grief dwarfs all the concerns of the everyday world. In the next stanza he asks for a more public display of grief вЂ“ planes should write a message in the sky (skywriting had first been used in 1922 for advertising purposes), and public doves (does he mean pigeons, I wonder?) need black bows round their necks. He wants to stop all the sounds of everyday life and have only the muffled drumbeats that are associated with funerals.

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In the first stanza the bereaved speaker makes a series of requests and commands. The later version was written to be sung by soprano Hedli Anderson, in a setting by Benjamin Britten. It was originally written as a poem of mourning for a political leader as part of the verse play The Ascent of F6 which Auden wrote with Christopher Isherwood. He followed it up with a 1938 version of 4 stanzas. He gave this poem the name Funeral Blues, and it was written and published in 1936, with 5 stanzas. The painting above by Stanley Meltzoff shows him in this role and appeared on the cover of The Atlantic in January 1957. Auden became Professor of Poetry at Oxford and had a distinguished career. He married a German woman to help her escape Nazi Germany, but he was gay and had a lifelong companion in Chester Kallman, who he met in the USA. Wystan Hugh Auden was a poet, playwright and critic, who made a name for himself as a young poet at Oxford, where his contemporaries were John Betjeman, Stephen Spender and Louis MacNeice. Pour away the ocean and sweep up the wood.ДЇor nothing now can ever come to any good. The stars are not wanted now: put out every one I thought that love would last forever: I was wrong. He was my North, my South, my East, my West, Let the traffic policemen wear black cotton gloves. Put crГЄpe bows round the white necks of the public doves, Scribbling on the sky the message He is Dead, Prevent the dog from barking with a juicy bone,Д«ring out the coffin, let the mourners come. Stop all the clocks, cut off the telephone,

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